Sandeep Reddy Vanga defends Dhurandhar 2, calls out critics and praises the film in a strong tweet.
So the other day I saw a video of Prabhas and Sandeep Reddy Vanga stepping out of the set of their upcoming project Spirit, looking a bit relaxed after a long day of shooting. Instead of heading straight to a restaurant, the two decided to catch Dhurandhar 2 at a local multiplex in Hyderabad. The whole thing turned into a mini‑celebrity sighting, with fans sharing pictures of the pair at the cinema hall, and soon the internet was buzzing with memes and comments. It felt a bit like seeing a neighbour’s kid bring home a new bike and the whole colony gathering to admire it.
Sandeep Reddy Vanga’s tweet on Dhurandhar 2
Later that evening, Sandeep Reddy Vanga took to Twitter and wrote a long, impassioned post that quickly went viral. The exact words were:
"Writers & actors built careers on propaganda, and the industry stayed quiet like cats. Now the same clan mock Dhurandhar. You don’t get to call yourself liberal if your first instinct is to Mock. Don’t know when truth started getting labeled as propaganda…… strange times. COMING TO THE POINT….. I want to tell @AdityaDharFilms & @RanveerOfficial yeh kaala drishti aise nahi jaayega… Muthi bhar ke laal mirch se kaam nahi chalega…. poora khet jalana padega. Watched #Dhurandhar2TheRevenge last night…. Outstanding film (sic)."
The tweet reads like a mix of traditional Hindi‑English banter and a serious warning. Sandeep Reddy Vanga used phrases such as “kaala drishti” – a common way in India to talk about ill‑will or even a ‘bad eye’ – and even added a culinary metaphor about “muthi bhar ke laal mirch”. The overall vibe was that Sandeep Reddy Vanga feels the criticism is not just about a movie, but about a deeper cultural push‑back against what the film represents.
Not the first time Sandeep Reddy Vanga backed Dhurandhar
What surprised many was that this wasn’t Sandeep Reddy Vanga’s first public show of support for Dhurandhar. Back when Dhurandhar Part 1 released earlier in the year, Sandeep Reddy Vanga posted a short message praising the movie’s “strong, masculine core” and lauding the performances. In response, Aditya Dhar posted a thank‑you note, saying, “Thank you, my Dearest Sandeep. Coming from you, this means a great deal. I’ve always admired the fearlessness with which Sandeep Reddy Vanga stands by your cinema and your faith in unapologetic, masculine storytelling.” That exchange felt like two friends exchanging compliments over chai, but it also set the stage for the more heated reaction this time around.
When I watched the first part of Dhurandhar at a friend’s house in Delhi, I remember that the storyline had an old‑school hero vibe, a bit like the classic Bollywood ‘angry young man’ archetype but with a modern spin. The dialogues were punchy, the action sequences loud, and the background score kept you on the edge of your seat, much like the sound of a bustling local market during peak hours.
About Dhurandhar and its box office collection
Directed by Aditya Dhar, Dhurandhar 2 – subtitled The Revenge – hit theatres earlier this year as the second instalment of the duology starring Ranveer Singh. The sequel followed the same formula that made the first movie a blockbuster, and the numbers speak for themselves. The Dhurandhar franchise has become one of the highest‑grossing series in Indian cinema, with the first instalment crossing the Rs 1000 crore mark worldwide, making it one of the biggest Hindi hits ever.
When you think about how many families in India line up outside the multiplex at midnight just to see the latest installment, the box‑office success feels almost inevitable. I remember my own family making a habit of watching big releases together on the weekend, buying popcorn, and cheering loudly – that collective excitement is exactly what Dhurandhar managed to capture on a massive scale.
Ensemble cast and production details
Produced by B62 Studios and Jio Studios, Dhurandhar 2 boasted an impressive ensemble cast. Alongside Ranveer Singh, the movie featured Arjun Rampal, Danish Pandor, Sanjay Dutt, Gaurav Gera, Rakesh Bedi and R Madhavan. The female leads included Saumya Tandon, Udaybir Sandhu, Sara Arjun and Ashwin Dhar, among others. The star‑studded line‑up reminded me of the kind of gatherings you see during a wedding where almost every relative shows up – each actor added their own flavor to the overall picture.
From a production point of view, the film employed high‑end visual effects, elaborate set pieces, and action choreography that made the whole experience feel like a roller‑coaster ride at a theme park. Watching it on a big screen in a mall in Mumbai, I could feel the vibrations from the surround‑sound speakers, much like the rumble of a bus passing by on a rainy evening.
Industry reaction and the “propaganda” debate
The wave of criticism that the film faced was largely centred around the perception that Dhurandhar 2 glorified a certain brand of masculinity that some felt was outdated or overly aggressive. Certain commentators on social media called the film “propaganda” – using a word that has traditionally been associated with political messaging. Sandeep Reddy Vanga’s tweet directly tackled that narrative, suggesting that the industry itself has long been comfortable with propagandist storytelling, yet now it is quick to label others as “propaganda”.
To put it in everyday terms, it’s like when a shopkeeper has been selling the same type of sweets for years, and suddenly a new customer walks in and asks for something healthier. The shopkeeper may feel defensive, because the old ways have always worked, but the new request is seen as a challenge. Sandeep Reddy Vanga expressed that sentiment, arguing that the industry’s silence is reminiscent of a “cat waiting for the fish to die”.
When I asked a few friends from Chennai and Kolkata about their take on the film, many said they enjoyed the high‑octane action but felt that the dialogues sometimes slipped into melodrama. Others pointed out that the film’s humour felt very “pan‑Indian”, with jokes that could easily be heard at a roadside tea stall.
Personal take on the whole saga
Honestly, watching Dhurandhar 2 felt like a roller‑coaster ride of emotions. The first half had me cheering for the hero’s relentless pursuit, while the second half introduced twists that reminded me of those unexpected rain showers during monsoon – you never know when they’ll hit you. The performances by Ranveer Singh, Arjun Rampal and Sanjay Dutt were solid, and the supporting cast added moments of comic relief that felt like the “chai‑break” you need during a long workday.
What struck me the most was the way the film managed to bring together different audience segments – from youngsters who love big‑budget action to older viewers who appreciate the dramatic dialogues. It’s a bit like the way a family dinner in an Indian household blends spicy, sweet, and tangy dishes to please everyone. That blend, however, also invites criticism, especially from those who think the dish is too spicy.
Reading Sandeep Reddy Vanga’s tweet, I could sense the frustration. The phrase “Muthi bhar ke laal mirch se kaam nahi chalega… poora khet jalana padega” literally says you can’t just sprinkle a pinch of chilli; you have to light the whole field on fire. It’s a colourful way to tell those who critique Dhurandhar 2 that a small rebuttal won’t be enough – you need a bigger response.
What the future might hold
Given the ongoing debates, it’s likely that the conversation around Dhurandhar 2 will continue for weeks, if not months. The film’s success at the box office – which, as mentioned earlier, easily crossed the Rs 1000 crore milestone for the franchise – ensures that the story will keep re‑emerging in media cycles. As for Sandeep Reddy Vanga, the strong stance may inspire other filmmakers to speak up about the creative freedom they enjoy, while also navigating the fine line between bold storytelling and public sentiment.
On a personal note, I think the whole episode reminds us how movies in India are more than just entertainment; they are a mirror reflecting social attitudes, a conversation starter at tea stalls, and sometimes, a battlefield for ideas. Whether you are a fan of Dhurandhar 2 or a critic, the discussion itself is a sign that cinema still holds a special place in our daily lives – just like that favorite plate of biryani you keep coming back to.
So, if you get a chance to watch Dhurandhar 2, grab some popcorn, maybe a soft drink, and enjoy the ride. And if you end up joining the conversation online, remember that every opinion adds a little spice to the grand feast of Indian cinema.
