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Nepali Film Wins Key Honour at Cannes

Saturday, May 23, 2026
5 min read
Nepali Film Wins Key Honour at Cannes

Something historic happened at Cannes this year. The 79th edition. It brought all the focus onto a Nepali film, pushing it onto the international cinema map in a way that just felt huge.

Elephants in the Fog . That’s the title. It didn't just compete; it actually walked away with one of the festival’s key honours. The Un Certain Regard Jury Prize. That’s massive for Nepal.

It’s Abinash Bikram Shah’s feature debut. He wrote and directed it all. And it landed in that specific category, Un Certain Regard, which is all about those emerging, distinctive voices.

The story itself is heavy. It’s set in Thori, a place tucked away in the southern Terai region of Nepal. It digs into the lives of transgender women living on the edges of society.

At the core of it, there’s Pirati, a matriarch of a Kinnar community. She’s grappling with a deep personal desire—wanting to leave her life and be with the man she loves—but that desire gets complicated when one of her daughters vanishes. It’s about balancing personal need and community responsibility. That’s the logline, really. Navigating that tension.

Shah spoke at the ceremony, and what he said felt like a punch. He talked about visibility. About how cinema can actually pull forgotten lives into the light. He said things like, “For so long, the lives of Pirati and her daughters, the communities and all the persons, who are in the East, have been kept invisible. By bringing our story here and by recognising it with this award, we have pulled those margins into the light. We have made the invisible visible.” It was a powerful statement, dedicating it to his team.

The film is packed with faces. Pushpa Thing, Deepika Yadav, Jasmine Bishwakarma, Shanti Giri, Gauri Malla, Maotse Gurung, Sanjay Gupta Dura, Mahima Nawabag, Akanksha Karki. A real ensemble.

And it’s not just a Nepali thing, not entirely. It’s a co-production. Underground Talkies Nepal and Jayanthi Creations are leading it, but you’ve got collaborators from France, Germany, Brazil, Norway too. That international backing is significant.

It’s not Shah’s first time on the big stage, though. He’s got a history. His earlier short, Lori , got a Special Mention at the 75th festival. That was the first Nepali short film to get that kind of recognition. And he’s got other writing work too. Kalo Pothi , Highway , Tatini . All that stuff has been seen internationally before.

Meanwhile, the festival itself had other big moments. The top honour for this year went to Austrian filmmaker Sandra Wollner for Everytime , a family drama about tragedy and fallout during a summer.

And there was the animated side too. Louis Clichy got the Special Jury Prize for Iron Boy . It’s an animated film about an 11-year-old boy in rural France. Clichy, who used to animate for Pixar stuff like WALL-E and Up , got his first solo directorial piece recognized this way.

Acting awards were also out there. Bradley Fiomona Dembeasset snagged Best Actor for Rafiki Fariala’s Congo Boy . And for the actresses, Marina de Tavira, Daniela Marin Navarro, and Mariangel Villegas shared the Best Actress award for Siempre Soy Tu Animal Materno .

It’s a lot happening. The visibility push, the international links, the raw story of the communities—it all came together in one moment at Cannes. It felt like more than just a film award. It felt like a shift.

Written by Gree News Team — Senior Editorial Board

Gree News Team covers international news and global affairs at Gree News. Our collective of senior editors is dedicated to providing independent, accurate, and responsible journalism for a global audience.

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