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The Legal and Historical Dispute over the Bhojshala-Kamal Maula Complex

Saturday, May 16, 2026
5 min read
The Legal and Historical Dispute over the Bhojshala-Kamal Maula Complex

You know, when you look at the Bhojshala-Kamal Maula Complex fight in Dhar, people usually just see it as a simple Hindu versus Muslim thing. But that’s not the whole story.

There was this third claimant, the Jain community , throwing their weight into the Madhya Pradesh High Court. They brought up some really specific arguments, claiming that this 11th-century monument wasn't just some temple dedicated to Saraswati. They argued it was originally a Jain shrine.

The Indore bench, on May 15th, looked at it and just dismissed those claims. Declared it a Hindu temple instead.

It really makes you think about how history and the law tangle up. Why did they shut down those arguments? It reveals a lot about how we try to sort out these layered historical claims.

The Jain side pushed hard on the idea that the whole Bhojshala complex was originally a place of worship for Jain Vidyadevi or Goddess Ambika. They pointed to that famous white marble idol. The one that ended up in the British Museum in London.

Their main sticking point was the iconography. They insisted that the way the idol was carved—the little Jain Tirthankar figure sitting above the main deity—that was the proof. They felt that proved its Jain origin, that it was a place of learning for the Jains before everything got changed by medieval times.

But the court didn't go that way.

They basically said the specific identity of the idol didn't matter enough to change the whole picture of the complex. The bench noted something interesting. Back in the 11th century, during King Bhoja’s time, Hindu and Jain art styles were actually overlapping a lot. It was just how things were.

The court observed that having Jain symbols mixed in with Hindu ones—Ganesha, Vishnu, Narasimha—was totally natural. Jainism, historically and legally, just fits into the bigger Indic religious landscape.

The key thing was that the presence of a Tirthankar figure didn't automatically turn the entire Bhojshala into a dedicated Jain temple. It wasn't enough.

Then there was the Archaeological Survey of India. That was a huge piece of the puzzle.

The 2024-25 scientific survey unearthed a ton of stuff. Ninety-four sculptures, over 150 Sanskrit inscriptions. While the Jain folks were pointing at certain recovered figurines as proof of their heritage, the court found zero solid "structural or architectural" evidence suggesting the whole site functioned exclusively as a Jain temple.

The inscriptions, that's where things really leaned. They were mostly dedicated to Sanskrit grammar and Hindu praise-poems, Kavyas. This really hammered home the idea that the site was fundamentally the Bhojshala—King Bhoja’s School. The historical writings and the architecture just didn't back up the Jain temple theory.

So, by dismissing the petition, the High Court essentially drew a line. It clarified that the legal identity of a monument isn't decided by a single artifact inside it. It’s about the dominant historical purpose.

They basically merged the Jain history into that larger Hindu-Bhojshala narrative for legal purposes. For the Jain community, it’s a tough outcome. They get acknowledgment of their historical connection, sure. But it doesn't give them any separate or exclusive rights over the site under the current legal setup. It’s a messy reality, really.

Written by Gree News Team — Senior Editorial Board

Gree News Team covers international news and global affairs at Gree News. Our collective of senior editors is dedicated to providing independent, accurate, and responsible journalism for a global audience.

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